| I do agree in part. Scale matters, and the challenges humanity faces with AI are much greater than with any disruptive technology of the past. That said, we've had similar challenges before, and society has adapted. I'm pessimistic about the long-term existential risks of AI, but the short-term disruptions to jobs and the legal changes that will be required seem manageable, and are not the doomsday scenario that the media makes them up to be. > But I think it’s deeply problematic to take that analogy much further. Take digital art. I don’t think it’s fair to compare the impact of the advent of digital painting tools with the advent of tools that systematically ingest all paintings and the remove the need for the original artist entirely. The invention of photography in the 19th century certainly had the same, if not greater, impact for painters. Yet artists adapted, and paintings were able to coexist with the new technology. Photography opened up new avenues for art, but it didn't eliminate the demand for the traditional art form. So will happen with AI-produced art as well, I think. The markets and our media feeds will be flooded with it, but the demand for human-produced digital art will still exist. It will be challenging to filter and curate human art, especially as the line will be blurred, and many human artists will take advantage of AI. But I don't think any of it will entirely make human artists obsolete. Anyway, this is all speculation from my side, so I concede that I may be wrong, but it's interesting to think about, and time will tell. |