[daneel_w]

It was never really about the genre per se, though there is a certain artistic similarity that can be gleaned, similar to how e.g. Japanese game music of the early 90s has a certain red thread to it. It was always about the nature of the instruments used in the tracker music: a notable use of simple looped waveforms and minimal samples, instead of extended samples of a real or synthesized instrument, and often a desire to squeeze the file size of these tracker modules down to a minimum to the point where it became a bit of a craft to some. People (like me) who spent a lot of time in the scene when this era of computer music came into existence have a specific and widely shared opinion about what is a chiptune and what isn't.