[cobrausn]

Discussing an artist whose music you've heard is in no way guaranteed to compensate that artist. At best, someone, somewhere, will hear the word of mouth and spend some money that goes back in the direction of the artist. There is no guarantee though - you end up hand-waving in a benefit when it cannot be proven that your piracy helped anything, though it can be proven that you didn't pay for what they are asking you to pay for as, currently, the means of profit is mostly tied to the distribution channels, not the production. Saying 'they should have done things differently' and then pirating their music is a lot like blaming the victim.

Now, hearing their music and then going out and buying a CD / paying for a legal download / picking up some show tickets or t-shirts is a different story, and is the best possible outcome of piracy. I'm not arguing against these people - these people are cool people, and are trying to affect a change in the system. If more people did this, show and swag revenue would increase and reduce the dependency on the digital content distribution as a source of income, which might have a very meaningful impact on new artists when they see the example.

I'm not really going to address the 'social pariah' argument, because I've never been one nor do I know what it is like to be have friends that would 'shun' for the crime of not pirating music (not committing a crime?). I will say that using the 'everyone is doing it argument' is not particularly constructive.

Games, IMHO, are a completely different animal in many respects, and since the only way to actually compensate the developer (currently) is to pay for the game, then I am actually about as hard-lined on this as it is possible to be - you shouldn't be playing the game if you haven't paid for it. Steam is a great example of offering services in exchange for content restrictions, and is (IMHO) the reason PC gaming is still alive as anything other than an indie-playground.

My personal opinion is that PC games (in particular) are actually headed in the direction of always-on MMO-like behavior that requires an internet connection in order to be part of the game world, and this is by design. I'm not necessarily talking Ubisoft's reprehensible always-on-even-during-singleplayer DRM, i'm talking about games that will act like MMOs in order to ensure the playerbase needs to be online in order to get most of the game. Sure, you can play a gimped pirated version, but why would you? All the good stuff is on their servers, which require authentication.

I will point out that despite the ease with which one could pirate a game like Skyrim, it still sold 2.8 million units in November alone. Mostly, I'm sure, because people want to pay for the game, not because of anti-piracy measures... other than Steam, which I suppose counts as that.

So I guess what I am saying is that despite the fact that I will argue for the moral necessity of funding development of digital content by paying for it until such a time as the means of distribution is no longer the primary income source, I am unconvinced that piracy is such a huge problem that it requires anything more than prosecution of the most blatant violators and those that profit from it.

[jarek]

Just wondering, do you have any guidelines as to what it takes to become a cool guy? Does buying a $20 tshirt justify my previous pirating of a band's three albums? How about paying $25 for tshirt+CD after pirating two albums? Is there an equation for this? I'd like to make sure I'm a cool guy here.

[cobrausn]

Pretty simple actually. Two albums cost, what, around 20 ~ 40 depending upon the band? Buy enough swag to make up the cost. More of the profits will go to the band than would have before.

[jiggy2011]

Problem is I don't necessarily want a T shirt (if the band even sell them in the first place) not to mention that buying the T shirt might bring up other moral issues (overseas child labour etc).

It would make more sense for the artist to sell me the tracks I want in a convenient way (direct download, no DRM, standard format, easy payment) rather than for them to distribute their music in a DRM format that I don't want and to have it pirated and then buying T shirts to somehow make up for it.

[cobrausn]

It would - I agree completely. But are you better served by pirating their music, which only gives the RIAA more ammo regarding piracy stats to get their asinine laws passed, or just finding music from people that satisfies your requirements and paying for that? I'm obviously a fan of the second - I consider it a form of boycott.

[jarek]

What if I had bought the CDs used for $8 or $5 each? Do I have to go by the full retail price, and if so, is this price at introduction, or is retail price a couple of years later okay?

Oh yeah, I forgot - how much is buying a ticket to seeing them live worth? Full ticket retail price, or less?

[cobrausn]

Compensate the band for their efforts - it's really not hard, your attempts to muddy the water with asinine value qualifications notwithstanding. You don't owe them anything more than what you would owe them by acquiring music through legal means - but you do owe them something. At least as long as the means of profit is tied to distribution. I have nothing more to say about it - you obviously can't see the forest for the trees.

EDIT: I'm going to add in that I'm also not going to bother replying anymore because you obviously think the downvote button is the 'nuh-uh!' button. How productive.

[jarek]

> You don't owe them anything more than what you would owe them by acquiring music through legal means - but you do owe them something.

What does the band get from me buying a CD of theirs used? Is it substantially more quantifiable than talking about the band?

> I have nothing more to say about it - you obviously can't see the forest for the trees.

I'll admit I'm trolling with the questions, but it's hard not to when you're attempting to divide pirates into "cool people" and the other kind based on categories you yourself seem to not have thought out very well.

> EDIT: I'm going to add in that I'm also not going to bother replying anymore because you obviously think the downvote button is the 'nuh-uh!' button. How productive.

Hacker News doesn't let users downvote posts in immediate response to their posts (replies one deep). I upvoted your responses to me as a matter of personal policy. The only other post of yours in this entire thread I've voted on is http://news.ycombinator.com/item?id=3590726; I recall downvoting due to general flimsiness of your argument, particularly the irony of dismissing word-of-mouth arguments as hand-waving when yours were no stronger, and the ill thought out attempt to distinguish cool pirates from uncool pirates. Thanks for asking.

[cobrausn]

> What does the band get from me buying a CD of theirs used? Is it substantially more quantifiable than talking about the band?

I would argue that the profit from first sale has already been made, and the terms of that distribution include the ability to resell. They've already made money off that CD, and you are paying the person who owned it originally for it now, not the band. Since they produced the CD, they agreed to these terms when they sold the physical media.

> I'll admit I'm trolling with the questions, but it's hard not to when you're attempting to divide pirates into "cool people" and the other kind based on categories you yourself seem to not have thought out very well.

I wasn't actually trying to imply group A is cool and group B is not, 'cool' was just the verbage I was using to indicate that I didn't really have a problem with what group A was doing, as they were following the spirit (if not the letter) of the law and were attempting to compensate the band for their efforts. I apologize if my poor choice of wording called you 'uncool' by accident. :-)

I will return the upvote for the civil reply.