[autoexec]

Why should they still be able to keep old games locked up just because they're making new ones? Let them profit from their new ones, hell let them continue to repackage and sell the old ones over and over again if they want. Plenty of people will continue to pay for them on their new Nintendo devices, even after they are in the public domain. They've been widely available to play online and in emulation for years but that hasn't stopped Nintendo fans from pulling out their wallets so far.

They've had more than enough time to profit on those old titles, and they certainly have. There's no reason to continue to prevent others from using those old assets, or enjoying the old games as they like. It certainly doesn't encourage the creation of new works to continue giving Nintendo copyright's special "limited" privileges for those titles, and removing them absolutely would encourage new works, as well as help to bring Nintendo's new mario titles new fans.

[kstenerud]

Quite true. I lost my original Diablo 2 CD key ages ago, then repeatedly pirated it from time to time until Blizzard released the remastered version, which I bought.

[scns]

Studies have shown, that people who "pirate" music, buy more than those whondon't.

[b1ue64]

Source?

[autoexec]

This I'm guessing: https://torrentfreak.com/pirates-spend-much-more-money-on-mu...

There's certainly truth in that for some pirates. Some folks are just supper passionate about things, and it's natural that they'd be hitting up the internet for early releases, versions only released overseas, demos, etc while also grabbing as much as they can available to them through retail channels.

Speaking personally, in the early days of napster I found so much amazing music I'd never been exposed to from bands I'd never heard of or had given a chance to, that I found myself spending far more money on music than I ever had before. I wasn't obsessive about it like some fans, I just had so much more I wanted than I ever did previously. I had stacks of binders full of CDs, CDs slotted into tall plastic towers, and CDs stacked on bookshelves.

Since then they've all been ripped into FLAC and MP3 and given to friends or stored away somewhere, or lost in moves and the RIAA became so deplorable to me that I vowed to never buy another CD from an RIAA affiliated label ever again and that was the last they ever saw a dime from me from retail sales, although I have imported a few CDs from Australia and Japan which I'm sure had their equivalents to the RIAA. Still, my first steps into music piracy (I don't count the MOD or MIDI files) coincided with the peak of my spending on music.