| One thing that makes photography collections extremely flat is a lack of people. A lot of programmers like photography and a lot of their albums, I'm sorry to say, just aren't good and a huge part of it is because these albums lack people portraits or photos that tell a story. Finding inanimate objects for photography is honestly trivial which is largely what this blog is talking about. There's three types of photos with people. Taking a photo that happens to have people in it (unsuspecting bystanders), taking a photo of an unsuspecting person where he/she is the main subject of the photo and taking a photo of a person you asked if you can take a photo of him/her. The first style of photography is one photographers mistakenly avoid. They want some pristine capture of some landscape or object without people, but they don't realize that often people enhance the photo via the illustration of a story or providing a sense of scale. The later two style of photos people avoid out of fear. It's quite scary to ask someone for their photo and it's a bit rude to take photo without permission. I advise you to just go for it and not care. The end result is a collection of photos illustrating an apocalyptic earth where all humans have suddenly vanished. The blog post is in fact unknowingly promoting this style of photography. |
Edit: Anselm Adams was a landscape photographer, a really good one. I think his work and portfolio is impressive without people in it. On the other hand, Henri Cartier-Bresson created an equally impressive catalogue of work with basically no landscapes in it. That alone proofs that both photographic styles are equally valid. As is architecture photography, and fankly, any other style.