[Retric]

The Prestige and The Departed are from 2006 and I would say 1/2 of what's left sucked. Still, listing a few movies that don't suck is hardly a ringing endorsement.

Pixar demonstrates that it's possible to make 10 movies without 5 of them being terrible. If the rest of Hollywood knew what it was doing you would expect the same quality from Sony pictures etc.

[Samuel_Michon]

Do you really think there was a time in which every new movie was a masterpiece? I seriously doubt it, and I don't think movies are worse now than they were 10 or 20 years a go.

[Natsu]

There's an inherent survivorship bias that makes past art look better. The good art survives because people make copies of it, reference it, etc. The bad art just gets forgotten because nobody even wants to make fun of it any more.

[Retric]

50% of a studio's output not being terrible is hardly the same thing as expecting every new movie to be a masterpiece. With studio's spending 100 million on a 'low' budget film you would expect they could spend 1 million to mock up 10 different films and pick the top 10% of scripts and fund them. Instead they use independent funding for most films which gives them far less choice.

PS: Pixar is hardly the first company to fund things internally raise the bar. You can find other studio's that used that model and produced a lot of decent films one after another. It's just that after a while the people running things don't really have a taste for talent and they can't handle the risks.

[sroussey]

Ooooh... 1999. Fight Club. Go. American Beauty. The Matrix. Boys don't cry. Austin Powers. The Sixth Sense. The Talented Mr. Ripley. The Cider House Rules. Magnolia. Mansfield Park. The Red Violin. Trick. American Pie. ;)

That is despite the fact that installment movies of James Bond, Star Wars, Toy Story, etc., that year.

Everything seemed great that year. Or perhaps if was also a good year for me, and therefore everything seemed good because of that...