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by dahart
1265 days ago
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I remember a short story, maybe by Orson Scott Card, that imagined a world where child prodigy artists were isolated and not allowed to see art or listen to music, to ensure their creations were untainted. The issues of copyright infringement with AI are real though. Much of today’s AI is directly copying subregions of training data, and can sometimes be prompted to reproduce images from the training data verbatim. Humans don’t do that unintentionally, even though sometimes they do mean to steal from others. Suggesting that art school is the same thing as a training dataset is a bit hyperbolic. |
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And, much like with our brains, when it happens it doesn’t actually exactly reproduce parts of the source image. But, you have actively pay attention to notice what happened. It makes an image that is overly similar conceptually. To our brains that feels the same. So, that’s enough to convince someone at a glance that it is the same.
But, if you look at an overfit result of “The Beatles Abbey Road album cover”, you’ll see things like: Band members are crossing the road, but they are all variations of Ringo. Vehicles from that era are in the background, but they are in a different arrangement and none of them are directly from the source. The Band members are wearing suits, but they are the wrong style and color. There are the wrong number of stripes on the road. It’s not the same as a highly skilled human drawing an iconic image from memory. But, it sure is darn similar.
And, besides all that, everyone working in the tech considers the overfitting of iconic images to be a failure case that is being actively addressed. It won’t be long before it stops happening entirely.
In the meantime, I’d challenge anyone to try to make an overfit result that significantly reproduces a specific work of every promoter’s favorite, Greg Rutkowski, using Dall-e, Midjourney or the Stable Diffusion models released directly by Stability AI. Greg’s pixels aren’t in the model file to be copied. Only a conceptual impression of his style.