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1 - Not the same situation. No one stole already-done work from the people who used to "compute" to create the computers themselves, or its output. 2 - You're twisting my argument. I don't care if artists are employed or not, or that some jobs are transitioned out from the economy. I care that people who put in work get the value proportional to that work. You should, too. When you use one of these AIs that have been fed millions of images in order to train them and generate an effective output, you are necessarily consuming the images themselves, without which the AI wouldn't do anything. In that process, the artists - whose copyrighted work is, again, fundamental to the development of the tool - have been paid nada, they have not even consented to the use of their images in the training process. How does that track? This would be a very different conversations if these AIs only used public domain art, of which there's plenty. But then again, it wouldn't be much profitable, would it? |
This isn't some hypothetical. I went through the art portfolio scene and survived 4 years of critiques - I know about the sacred process called the "creative process". None of my and my peers' work would exist without the inspiration of the centuries of art work that stood before us. This is what we call art in the industry and by the public masses. The criteria you established for "why AI art isn't art" applies directly to the "conventional art". So I have to ask, why is AI art different?