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by svat
1410 days ago
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As someone wrote:[1] > Let’s say I made a movie about the US where an African-American boy born in the hood, has his mother sell him to a pedophile pop icon, after which he gets molested by a priest from his church, following which he gets tied up to the back of a truck and dragged on the road by KKK clansmen. Then he is arrested and sodomized by a policeman with a rod, after which he is attacked by a gang of illegal immigrants, and then uses these life experiences to win “Beauty and The Geek”. > Even though each of these incidents have actually happened in the United States of America, I would be accused of spinning a fantastic yarn that has no grounding in reality, that has no connection to the “American experience” and my motivations would be questioned, no matter how cinematically spectacular I made my movie. [1]: https://greatbong.net/2008/12/29/slumdog-millionaire-the-rev... |
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I'm not a fan of Slumdog Millionaire, but that's mostly because it's a poor story, and one that could have been a great one. Arguing it's portrayal deviates like crazy from reality is, well, like most other Hollywood movies.
(Yes, yes I know it's not a Hollywood movie).