[Rochus]

I responded to the fellow stating "The article says they sometimes play them slowly and speed the recording up to the correct speed afterwards." which implies a change to the time scale. But also if you do a "perfect" non-realtime offline rendering Black MIDI is pointless; a piano has 88 keys; if you want to play thousands of notes a second then the only "benefit" you get is either a comb filter effect when the same note is triggered nearly the same time or a 3 dB gain (on maximum) if triggered exactly at the same time; there are easier ways to achieve this, even in real-time.

[TheOtherHobbes]

The benefit is you can create sample-accurate arpeggios, amplitude-modulated timbres, and other extreme and unplayable effects famously (over)used in tracker music.

You don't seem to have experience of what trackers can do. Essentially Black MIDI is rendered tracker music with a nice animated piano roll background.

On a slow system a render will take longer than real time. On a fast system it won't.

[Rochus]

> You don't seem to have experience of what trackers can do.

Well, I'm a trained musician and use sequencers since Atari times; a tracker seems to be just a sequencer more geared towards people who prefer to enter numbers instead of playing; if so I would prefer something like csound or chuck; but I was more interested in live music the last few years; here is what I currently do: http://rochus-keller.ch/?p=1153

[mhb]

Thanks. Why one white shoe?

[Rochus]

The white shoes are padded gym shoes to avoid hematomas.