Loosely related, MIDI standard can be used to generate all kinds of sounds, even human speech on a real life piano. Here's a demonstration from 2009[1] and a recent article with more context [2].
How wonderful, that gave me the feelies. From the artist's website:
> The piano imitates the human voice and at the same time operates as an alienated recording and reproducing device. It has thus been replaced as traditional musical instrument: no artist operates it in order to play music. It becomes an oversized phonograph which is not used for the production of previously composed music but for the reproduction of the human voice. The sudden comprehensibility of single words, whenever the piano becomes the faithful representation of language, equally has the effect of a phantom’s abrupt appearance: the close up reality of the voice is a ghostly apparition – as though the “forbidden” border between dream (music) and reality (language) had been crossed. The “talking” piano represents a mimetic machine which is capable of producing the mimesis of a mimesis: it absorbs, it imitates what has already previously been imitated, namely the recording of sound.
> The piano imitates the human voice and at the same time operates as an alienated recording and reproducing device. It has thus been replaced as traditional musical instrument: no artist operates it in order to play music. It becomes an oversized phonograph which is not used for the production of previously composed music but for the reproduction of the human voice. The sudden comprehensibility of single words, whenever the piano becomes the faithful representation of language, equally has the effect of a phantom’s abrupt appearance: the close up reality of the voice is a ghostly apparition – as though the “forbidden” border between dream (music) and reality (language) had been crossed. The “talking” piano represents a mimetic machine which is capable of producing the mimesis of a mimesis: it absorbs, it imitates what has already previously been imitated, namely the recording of sound.
> From: Chico Mello “Mimesis und musikalische Konstruktion”, Shaker Verlag, Aachen 2010
https://ablinger.mur.at/docu11.html#qu3