| You might like the Linnstrument: https://www.rogerlinndesign.com/linnstrument As a longtime guitarist myself, I found it quite easy to learn. You can think of each row as a guitar string. In the default setup, each row is a perfect fourth above the row below. The green lights are the white keys on a piano; the unlighted keys are the black ones. The blue lights are C natural. Skip a square diagonally up and to the right for an octave. Chord shapes are uniform across the whole surface. Keys are sensitive to pressure, left-right movement, and top-bottom movement. In the default configuration, rocking left and right yields vibrato and moving top-bottom controls some other MIDI parameter (usually filter cutoff, but it's configurable). Sliding finger pressure to different keys to the right and left gives portamento. Sliding to the next row up or down gives legato. Once you get used to these parameters, it becomes super expressive. It's a MIDI controller, not a complete instrument, so you need a MIDI-controllable source of sounds. It's an MPE instrument, so, if you want the full experience, you want some kind of MPE-capable source of sounds (MPE is "MIDI Polyphonic Expression", and it means that multiple MIDI channels are dedicated to the instrument in order to give full, separate expression to each of several voices). MPE is a relatively new MIDI development that is not supported everywhere yet, so you have to pay attention to which sound devices support it if you want the full experience. I have one; it's my favorite electronic instrument that I've ever tried. I also have an Eigenharp Pico, and I like it, but I like the Linnstrument better. (It doesn't look as cool as an Eigenharp, though :-). When I decided to get one, I discovered that they're a bit hard to buy. Not very many places have them, and when I was looking, even Roger Linn didn't have any available. I eventually found one for list price at Detroit Modular (https://www.detroitmodular.com/). |
It does, though, seem to demand that the player look at the keyboard. For an instrumentalist, this may not be a big deal. For a performer accustomed to connecting to his audience with his face, as do many singers, it seems like a big drawback.
That said, color me amazed.