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by alfiedotwtf
1697 days ago
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> There might be some synth or guitar pedal that you are in love with, or even several, but it rarely turns out to be critical to your personal sound. The 303 defined acid, the Juno gabba and early rave, and sliced 4 bars of a single song defined jungle. Maybe in what you're saying is true, but on the other hand for other genres, synths = genre |
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Like, 90% of what made 303 lines sound unique is in the sequencer, which you can program into a DAW or something once you know how it’s done (it’s a fairly basic step sequencer with a couple quirks, but those quirks are easy to replicate). Use a simple subtractive synth, turn the filter knob around, set the resonance pretty high, and bam… you’ve got acid.
That’s what I mean when I say that something rarely turns out to be critical to your sound. Once you understand how a sound is made, it makes it possible to achieve similar sounds in other ways.
That last 10% is not something that people listening to your music care about, by and large. The TB-303 has a unique diode filter design… kind of weird, you might say “3+1 poles” (is it 24 dB/oct? or 18 dB/oct?) with a built-in high-pass filter. However, despite the fact that the TB-303 has such a unique filter design, and the 303 sound defines acid, and the 303 filter is a key part of that sound, you can replace the filter with some boring random 4-pole VCF and still end up with an acid track.
So you don’t need a 303. This is good news! It means that it’s easier to create acid than it ever was. The 303 is no longer manufactured. You can grab a cheap clone like the TB-03, TD-3, or program the 303 sound into a more powerful synthesizer that you already own.