|
|
|
|
|
by Barrin92
1710 days ago
|
|
BNW remains to this day one of my biggest disappointments when it comes to the classics. I remember reading it maybe fifteen years ago and I went in with this expectation to read this brilliant critique of modern consumer society everyone was referencing, what did I get? The antagonists of the book are called Marx, Lenina and Mustapha (read: muslims, women and commies running the world government), and the hero is a guy called John the Savage who reads Shakespeare in the redneck reservation and is the real woke one compared to all the sheep on soma and sex. If someone wrote this book today you would think they have listened to too much talk radio, and I think it's one of the best examples of what Leo Marx called 'the machine in the garden' myth.[1] the anxiety of (predominantly anglosphere) authors that technology and industrialization disrupt their naturalistic and God given, pastoral community. I think I might be one of the few people who read the book and came away liking the one world government more, because the book completely and utterly failed to convince me how it is anything but fear of modernity, technology and the liberation of women from reproductive obligations. That last part is very important and in that respect the book has aged particularly poorly. The author of the essay at the end calls the book a warning of 'feminine tyranny', and I think that's exactly right. Huxley seems to be dead afraid of a society in which the monogamous family is washed away by technology and higher forms of social organization, without really making the case why hanging out in the reservation is supposed to be any good. [1]https://en.wikipedia.org/wiki/The_Machine_in_the_Garden |
|
While it's not unfair to suspect Huxley of primitivist nostalgia, I don't think his reaction is against progressive modernity, feminism, leftism in general. The fear to my mind is of something like Taylorism/Fordism taken to its extreme [1].
What I've always found more compelling in BNW as compared to explicitly totalitarian dystopias (1984 etc.) is precisely that the dehumanizing, alienating, oppressive nature of the system is hidden. On the face of it it's a utopia, nothing to complain about. The abomination shows itself when you read a bit between the lines.
[1] https://en.wikipedia.org/wiki/Brave_New_World#Fordism_and_so...