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by 908B64B197
1774 days ago
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> Once you add in language and cultural barriers, i.e. the fact that a movie about 'Captain America' will have a strong enough audience domestically, with some acceptance abroad, and you have insurmountable competitive advantage. (Nobody is going to watch a film about 'Captain France', or 'Captain Japan' - or rather, many fewer). That explains why Parasite and Money Heist flopped. > The new Dune film is Denis Villneuve, and his 'posse' of creatives are from Montreal. In some ways, it's a 'Canadian-led' film, but that just happens to be talent, it's not really part of the industrial base. Villneuve exists because Quebec strongly supports creative endeavours (and FYI for every Villneuve, there are 10 you've not heard of, 50 who never really had support or a shot, and 1000 who tried and failed). From what I've been told, Quebec is the only place in Canada that consumes its own culture. |
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It explains why thousands of films, just like 'Parasite' and 'Money Heist' flop, why they are not on Netflix or in theatres, and why you've never heard of them, and why neither Spain nor S. Korea are entertainment powerhouses in film.
KPop however, which is definitely a Korean export, has some strong 'industrial foundations' along the lines of what I'm talking about. It's a real industry there.
Here are 2021 'Canadian Films' - have a gander and see how many you recognize. [1]
Quebec consumes it's own content because they are a distinct from the rest of North America, and they invest a lot in culture. And a pretty good comparative basis for Ontario / Rest of Canada.
[1] https://en.wikipedia.org/wiki/List_of_Canadian_films_of_2021