[derefr]

> as in I don’t have to upload it as a podcast perhaps do post-processing etc to get my content out

That sounds like shirking the responsibility of not wasting the listener's time, i.e. lowering the barrier to production at the cost of raising the friction of consumption. For the app to be popular to use — rather than just popular to publish on — wouldn't you want the opposite?

Or, to put that another way: wouldn't "an edited recording of a talk recorded on Clubhouse, posted to YouTube" become a more popular way to consume Clubhouse content, than actually going on Clubhouse? And would this not kill any hope Clubhouse would have of ever monetizing, since there would be no users on the app itself to ever show ads to?

(I think this is truly the thing that really did "kill" Vine, in the end: there was no reason for most people — who are not, themselves, performers — to engage with Vines on Vine, when they could just engage with Vine compilations on YouTube. The creators saw the writing on the wall and sold it. TikTok came up with a better model, "democratizing" Vine's professionally-produced-funny-6-second-clip model into the much more widely-engaged-with "clip of a pretty person being silly with platform-licensed music in the background" model.)

[denton-scratch]

> That sounds like shirking the responsibility of not wasting the listener's time

This is why I don't consume podcasts. If it's worth saying, then it's worth making a transcript, which I can skim (or top-and-tail) in a tenth of the time it takes to listen to the whole thing.

Popehat was a blog that I used to visit regularly. Then Ken decided he was too busy to write, and most of his content is now some unscripted podcast - the blog now gets maybe a couple of posts a year, apart from the links to his podcasts.