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You're strongly and incorrectly implying that "Fair Use" is a clear (and relatively immutable) concept within copyright law, which couldn't be further from the truth. Even if this or that particular case sets out what appears to be solid grounds, one shouldn't take that as gospel by any means. This mostly has to do with the nature of the wishy-washy nature of the 4 part Fair Use test, which, unlike decent legal tests, doesn't actually have discrete answers. The judge looks at the 4 questions, talks about them while waving her hands, and makes a decision. Comparing to, e.g., Patent, where you actually do have yes-or-no questions. Clean Booleans. Is it Novel? Is it Non-Obvious? Is it Useful? If any of the above is "No", then no patent for you. As for the execution of Fair Use, while I haven't gone too deep into Software, I can assure that for music, the thing is just a silly holy-hell mess; confirmed most recently by the "Blurred Lines" case, where NO DIRECT COPYING (e.g. sampling or melody taking) was alleged, merely that the song sounded really similar to "Got to give it up" and that was enough. So then, I'd say everything either is, or should be, up in the air, when it comes to Fair Use and software. |
All that said, the one thing I'd add about fair use is that it isn't permission to use anything you like, but rather a defense in a legal proceeding about copyright. It's pretty much all about being able to reference copyrighted material with the law later coming in and making final decisions on whether or not that reference went too far. (IE, copying all of a disney movie and saying "What's up with this!" vs copying 1 scene and saying "This is totally messed up and here's why".)
That was a big part of the google oracle lawsuit.