The great thing about the setup, aside from the microphone being solid, is that it gives you an upgrade path but works right out of the box fully (mic, stand, pop-filter, USB or XLR).
Phase 1: Plug it in via USB, use the included stand. GO!
Phase 2: Upgrade the stand to a desk-isolating one (e.g. arm/freestanding, etc).
Phase 3: Upgrade to XLR instead of USB (e.g. buy an audio interface/mixer).
Phase 4: Upgrade the microphone at some point.
You can literally buy it and stop at Phase 1 forever, but if you wish you can use it as a jumping off point to a higher end setup and won't have to buy it all at once (easily $300 or more total, for arm/audio interface/pro grade microphone).
Note that studio mics recommended in this thread, like the SM57 or the C1, need to be plugged with an XLR cable into an audio interface. Focusrite, for one, makes good USB audio interfaces - but it's still an extra device to buy and then keep on your desk/carry around (and, optionally, to understand).
For conferencing, it's much more convenient to just use a USB mic. I can recommend the RØDE NT-USB for this purpose - all it needs is an available USB-A port.
Most of these are great options but I don't have the will nor interest in buying some new interfacing device to mimic a radio jockey-esque voice over environment.
Just a simple plug and play will do, I actually just searched hard and finally ordered the Rode NT-USB. thank you.
I don't know about the clones tbh. I compared a genuine SM58 to a clone once and it had a lower noise floor, as well as better quality in the low range than the clone.
My daughter uses one for recording songs; very clear, and was (IME) slightly simpler to set up under Linux than Windows as the latter took some fiddling to sort out low gain on that platform.