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by creato
1935 days ago
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> In the standard historical accounts, the way that the bomb’s gun mechanism worked was by shooting a cylindrical “male” uranium projectile into a concave, stationary uranium target. This act of atomic coitus created a mass sufficient to produce a critical reaction. The mass of the projectile was said to be 38.5 kilograms, and the mass of the target was said to be 25.6 kilograms. But no matter how many times Coster-Mullen did the math the numbers never quite worked out in a way that allowed the projectile and the target to fit inside the gun barrel while remaining subcritical. > The source of the error, Coster-Mullen recognized, was an assumption that every (male) researcher who studied the subject had made about the relation between projectile and target. These scholars had apparently been unable to conceive of an arrangement other than a “missionary position” bomb, in which a solid male projectile penetrated a vessel-like female target. But Coster-Mullen realized that a female-superior arrangement—in which a hollow projectile slammed down on top of a stationary cylinder of highly enriched uranium—yielded the correct size and mass. Does anyone understand what point is being made here? I don't understand how which piece is the projectile would make a difference in the overall size/geometry. All else equal, I would think it would be easier if the lighter, simpler piece were the projectile. Accelerating a cone/cylinder without breaking/damaging it seems a lot easier than accelerating the complementary shape. Then again, I'm male, so I guess I'm just not capable of imagining the "female superior" design... |
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"shooting a mass of uranium down a barrel into another mass of uranium to form a supercritical mass."
My guess is that the person who first said that didn't intend for the metaphor/description to be taken quite as literally as everyone ended up taking it. (Or they meant to mislead.)
Hypothetically, if you read "into" as crash/collision and not "in to"/inside of, you start to see how a generic description could be ambiguous. Run this (or a similar story) through a few iterations of the telephone game and draft revisions by journalists/editors (that somehow all seem to graduate without ever taking a single sophomore level technical writing course), and a description becomes a misunderstood metaphor becomes a fact. Somewhere along the way, the word "bullet" gets thrown in, and then no one "un-see" the visual.
That's my take. That and the author of tfa is trying way too hard to make a big a deal out of it being a "gendered" thing, when it's not.