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by rumblecat
1932 days ago
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The case for NFTs rests on a virtuous cycle between artists and buyers. On the artist side, there are temporary benefits, such as increased prices and pandemic-safe fundraising. But the killer feature is programmability - for example, it is possible to program the NFT such that the artist takes a chunk out of every resale on the secondary market. This means that as long as there are buyers, there will be artists issuing their work as NFTs. The buy side is more complicated, because people buy art for different reasons. But there are benefits such as digitization making money laundering more convenient. The main issue is legitimacy concerns, but so long as artists can benefit from NFTs, they are incentivized to express the legitimacy of the NFT. In the equation of who gets to decide legitimacy, I would say the artist has the most sway. Of course, it's entirely possible that NFTs will fail. First off, it could fail if the issuing blockchain failed or had a contentious fork. Secondly, it's possible that the primary blockchain or issuer for NFTs could change, which could reduce the value of "obsolete" NFTs. There is also regulatory risk. Finally, there is the possibility that people who abuse NFT system, such as repeatedly reissuing art or issuing pirated art, could poison the well. But that's entirely different from saying NFTs are doomed to fail and inherently worthless. |
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I fail to see why this is desirable. What right does an artist (or indeed, anyone who produces anything) have to any portion of resales?