[IgorPartola]

I am not a designer. I understand them the way I understand original user interfaces that were not computer generated. Think of the giant chrome steering wheel of a large ship. Or the ornate decorations of some fancy locomotive. The idea is to mirror the craftsmanship that went into the function of the device in its controls. To help the operator feel more comfortable and familiar with the machine. To recall certain details of the device in its controls (unique square grill on a car might dictate square gauges). Utilitarian controls are better in some respects, less distracting. But they aren’t as fancy.

Now translate that to us trying to show a future design or a more advanced but ancient design than what we have today. You could go minimalistic and it’s just a bunch of blank buttons and the operator just knows what they do. What a piano might look like to someone who isn’t familiar with pianos. That can have a certain type of appeal, but if your intention is to show the device as both advanced AND important, then it’s a big challenge to make the UI stand out. You could also make the UI baroque with unnecessary embellishments to show that it is so fancy and advanced that it hasn’t reached the point of mass production where economic forces would have dictated that it be simplified. Why have a holographic display that just renders a swirly button when you can have a simple push button? Well, because we are going all out creating this singular object. It’s a way to emphasize the device.

I think The Martian had some very cool UIs because they managed to walk the middle road: they seemed like they were actually designed for function but were also clearly more advanced than what we use today. But by that metric they were also much closer to what we have today.

Another factor to all this is that UI is dictated by its medium. What kind of hardware can we use for UIs? Well so far we have physicals dials, buttons, toggles, and switches. We also have touch screens. In more of the real of sci fi we have motion capture and voice interfaces, both starting to slowly be adopted as the cost comes down. And in the pure speculative we have things like holographic interactions, nanobotic renderings, and a broad category of telepathy (that last one is really good for stories about the hero simply learning to believe in themselves because long training is for suckers). But how many types of materials and devices and materials have we not yet discovered? Ones that could be used to create a UI in a completely novel way. Maybe it’s a blood contrast that gets injected into your bloodstream and makes it easier to track your motion precisely. Maybe it’s magnets or RFID chips embedded in your fingers that allow you to interact with a theramin type device more intuitively. Maybe it’s direct to retina projection that an outside observer can’t even see. Maybe it’s a smart UI that is programmable ahead of time and it’s activation is simply timed. Maybe it’s something that reads its inputs by facial recognition and emotion detection. Maybe some material that once our hands are coated in it can make them feel whatever physical controls are supposed to be there without having to pay foe them to physically manufactured.

The point is that as long as fantasy UIs are going to be constrained to only a few mediums, the only way to set them apart is to make them either super fancy, super grungy, or super minimalistic/magical. Making them utilitarian and usable makes them look contemporary.