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by randomsearch
2014 days ago
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You’re projecting your free time / dedication to discovery on other people and that’s unfair. Spotify’s discovery tools for example are a real boon to many. That said, I do feel the same as you about the “good old days”. Owning music was a very different experience. It doesn’t help that streaming apps haven’t worked out the UX yet (god knows why, they’ve had long enough). But... flip side... if I could time travel back to being a teenager and say “for £10 a month (even in that money) you can have access to pretty much all music commercially released” I would have cried with joy at the thought of it. There are so many bands I probably wouldn’t have worked through the catalogue of because they weren’t on my radar or popular within my social circles - even major artists like Bowie or Queen - and Spotify has enabled me to work through most of the great 20th century pop/rock/indie music, plus explore a lot of dance and electro I wouldn’t have. Problem is I think it’s (the?) jam today and bread tomorrow... I think popular music peaked just before the internet arrived. A good tell is the many festival line ups full of very old bands. If you make a list of the greatest bands/artists of the latest 10 years and compare it to any decade since pop music got going, it doesn’t compare. I don’t think that’s the commercialisation of music (that hasn’t changed so much) rather the financial incentives are no longer there. Appropriately for HN, a lot of kids dream of a building a startup instead of making music. |
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