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by hunter2_
2152 days ago
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I was always slightly perplexed as to how that difference in orientation of colors leads to the out/in effect. I guess it's not so much the left/right but the top/bottom that really achieves this phenomenon, given how most daily light sources come from above (sun, ceiling fixtures, floor lamps) and there are relatively few instances of uplighting (landscaping, ...) around us. |
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(It's true that upwards-firing lights are often used in interior decoration, but these are almost always to illuminate walls and ceilings above us which then bounce light down to the contents of a room. Also, some techniques in photographic and studio lighting do use some up-firing lights, but these act as shadow fill, never as the primary light source—except when an unusual look is intended.)
To the extent that we expect a certain left–right orientation, this will almost certainly be predominantly a matter of consistency with prior graphical user interfaces. The near-universal standard of a top/left lighting metaphor goes at least as far back as the original Apple Lisa/Macintosh which cast its 1-bit, 1 pixel shadows to the bottom/right.
The fact that people of near-identical cultures can natively integrate either left-hand driving or right-hand driving suggests to me that there's no inherent reason why it needed to be one way or the other. Had the first interfaces begun with a top/right lighting metaphor, we'd probably be all as native to that as British people are with right-hand-drive vehicles.