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by m0zg 2157 days ago
Sure, the ability to work from anywhere in the world coupled with a severe epidemic, riots, looting, and boarding up of city centers will give rise to a "vibrant inner city atmosphere". Uh-huh.
2 comments

Cities will still exist even if remote work rises significantly. There is a huge amount of buildings and infrastructure which won't just disappear. Rather, demand for them will fall, and since supply is flat, prices will drop. This will give opportunity to less lucrative ventures to work at the city center. Artists, for example, would have a harder time working remotely.
It's a common fallacy that rents fall when demand drops. In fact, they often don't, particularly for commercial space; the owners choose instead to let the spaces go unused. I've seen this happen up close with several buildings my city, in several neighborhoods. There was an article a while ago about how Greenwich Village suffered a similar fate.
Got a source to back up that claim? Detroit for example has seen inflation adjusted commercial office space prices massively drop:

"Adjusted for inflation, the average office tenant paid a peak price of $34.34 per square foot during the fourth quarter of 2000, 65.5 percent more than the current average rate of $20.76, according to Newmark Knight Frank data. It's almost as deeply pronounced for Class A space — which has the best amenities and finishes. Today's Class A rental rate is $24.36 per square foot, but in the third quarter of 2001, tenants paid inflation-adjusted rent of $38.12 per square foot, 56.5 percent more than now" [0].

[0]: https://www.crainsdetroit.com/article/20170730/news/635141/d...

Here's The Atlantic article I was talking about, "How Manhattan Became a Rich Ghost Town" http://archive.is/PWOC2

And a NYTimes article similarly, "The Empty Storefronts of New York" https://archive.is/JnhDS

Basically rents are too high, so businesses won't rent because it won't be profitable. In 2018 when the NYT article was written, "about 20 percent of all retail space in Manhattan is currently vacant, compared with roughly 7 percent in 2016."

So maybe this is bimodal: you have "rich" areas like Manhattan and SF and Seattle, where rents stay high even with low occupancy (landlords sitting on empty properties and enjoying the free ride of increasing asset prices), and you have "poor" cities like Detroit, where no one wants it and you can't even give it away ("free" property still comes with liabilities like taxes and maintenance).

I follow along in /r/realestate and it seems that part of the motivation for this behavior is that the owners are usually leveraged - they don't own the property outright, or if they do, they have taken a loan against the property. If they lower rents, it impacts the valuation more than staying vacant and waiting for a new tenant, which in turn has implications on the loan & ability to obtain loans in the future.
Can the city councils do anything to counter that? I wonder...I heard about Frome (Southwest England) where the local council took proactive steps to prevent the high street being filled with betting shops. I think they lowered business rates significantly and possibly other measures.
A land value tax can help quite a bit. It can both prevent landlords from capturing all / most of the value when rents rise and also help act as a cushion when rents fall.

The current property tax system that most cities use make little sense. It penalizes people for improving and updating the structures on their land. Cities should be encouraging property improvements.

If we don't get a working, _and safe_ vaccine in the foreseeable future (a real possibility), cities could all turn into Detroit - high density living or work just won't be epidemiologically viable.
It's not the 'everybody works there' that does it, it's the 'cheap enough that artists can live there' that does it. My mom split her time between art, her true love, and working as a secretary, or a maid, or an office manager. She had a way of living near where the art was happening, as artists tend to have very little money, as did she. She could afford to live just off the Lincoln Road Mall in South Beach in the mid-80's, as did hundreds of other artists. The South Beach that is now luxurious and pricey was once cheap, and shabby and a bit dangerous. That's really the seed of a vibrant inner city atmosphere. She repeated that (to smaller degrees) several times in her life.
I hear about artists being the ones who create vibrant neighborhoods a lot, and I'm honestly struggling to understand the causal effect that's being claimed. Do people really care about "living near where the art is happening" to the point where it would drive up property prices?

When I talk to people from demographics that are accused of being gentrifiers (young professionals), the overwhelming reasons they choose a neighborhood are to be near restaurants, bars, clubs, cafes, shops, work and friends. I don't think I've ever heard of anyone pay a premium to be near an art gallery, or live near artists' private studios.

There are some gentrified neighborhoods that were known for their artists. New York's Soho is an example. These days the place is full of overpriced fashion stores, both independent ones as well as global chains. I can see why the shops were attracted - for branding purposes it might help to be associated with those artists. But I wouldn't say that artists turned it into a particularly vibrant neighborhood, at least not more than other neighborhoods in Lower Manhattan.

Is it that it's about correlation, not causation? It seems reasonable that artists would be attracted to an area for the same reason as, say, independent coffee roasteries (both require cheap space). I suspect it's only really the latter that are attracting new residents though.

I do suspect it's more the cheap part than it is the artist part, so it may well be correlation rather than causation. That said, given the same low rent in two locations, wouldn't the savvy coffee roaster pick the one with the artists? So, maybe there is a causal argument.
So the term "artists" covers a whole lot of ground here. It doesn't necessarily mean picture painters, but it's a shibboleth for a whole bunch of people with ideas and little to no money. These people try to minimise fixed costs, and move to "bad" areas.

The conglomeration of all of these people tends to lead to events, club nights and new and interesting businesses. This makes the area more attractive, causing others to move in and thus kickstarts the gentrification process.