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> There is more to critical thinking than formal logic, I'd argue. The classroom format of a typical humanities college course has a lot to do with this. For example I would argue that a person without any background in the classics and some basic theology is going to struggle to get much from Paradise Lost. It's dense, difficult, and you have to know some things going into it to pick up on the nuances. But 30 people discussing it collaboratively 2 or 3 times per week, with the expert professor's guidance when they stumble on certain parts makes for a lot of interesting discussion. Thirty different people will pick up on thirty different bits and pieces in every classroom session. Well, if you look at literary criticism, there are a bunch of different ways to do it. The oldest ways, such as authorial intent or historical criticism, aren't that divorced from history as described in my previous post, or from just normal old formal logic. But a lot of the ways popular now, such as Marxist criticism or feminist criticism, are forms of reader-response criticism. In the worst cases, this sort of criticism can be used as a pulpit for professors to pass on their ideologies, which is deeply problematic--rather than teaching students how to think for themselves, it's teaching them to think like the instructor. In the best case, it can teach students how to evaluate literature in relation to their own goals--but I would argue that this is just an application of formal logic. The reality, in my limited experience, is neither of these extremes--classes I've taken and my friends have taken have mostly been "these are some of the ways people have thought about literature"--it's more about passing on information than about teaching how to think. As I've said before, there's a lot of value in giving people information, I just don't think it supports the "college is about teaching people how to think" narrative. That said, I'll give two caveats here: 1. My own formal training isn't in literary criticism, and beyond some general-ed requirements and second-hand experience from friends/partners in literature programs, I have very little experience here. My impressions here may very well be off-base, which is why I didn't mention literary programs in my previous post. A notable bias in my previous post is that I talked most about the fields I'm most familiar with. 2. Up to this point, I've basically been speaking about teaching facts versus teaching how to think as if they were two different, mutually exclusive things, but it's worth noting that that's not quite true. It's true that simply giving a student a fact doesn't teach them how to evaluate whether something is a fact, but if you give a student enough facts, eventually they come across discrepancies and begin to experience cognitive dissonance. Over vast swaths of facts resulting in a few discrepancies, a student will eventually begin to come up with their own framework for evaluating discrepancies, and hopefully that framework will look a lot like formal logic and evidence collection. I'd argue that this is a very, very inefficient way to teach students how to think, but eventually I think it does work. |