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by chronikewok
2213 days ago
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This reminds me of the film Arrival and relates to the Sapir-Whorf hypothesis [1]regarding how language affects our perception and cognition. It's certainly a very interesting design (there's a hieroglyphic electrical circuit quality to it), but it wasn't clear what we can infer or gain from this non-linear form of writing. I feel like non-linear thinking is naturally how our brains work (or has more potential to work), but not how we have been trained to decode symbols, so it'd be interesting to see how this type of language might alter our cognition. Would this help us look at ideas more holistically? Would this help us be more sensitive to relationships rather than just the objects? Could this open up new patterns of thinking? Lot's of interesting questions. [1] https://en.wikipedia.org/wiki/Linguistic_relativity |
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See also my essays Non-Linear Fully Two-Dimensional Writing System Design ¹ and On the design of an ideal language ², which I wrote before we started to make UNLWS.
The written "language" in Arrival is purely babble (though it has some nice aesthetics at the fine level). It also violates explicit features described in the story, e.g. that an utterance is composed of unbroken strokes (i.e. a connected graph).
FWIW, I asked Chiang years ago whether he had any actual implementation or visualization in mind for Heptapod B. He didn't; it was purely an abstract set of properties for him.
¹ https://s.ai/essays/nlf2dws
² https://s.ai/essays/on_the_design_of_an_ideal_language