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by zck
5573 days ago
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>I was somewhat disappointed that the OP showed us a C Major scale without really explaining what a "major scale" is-- a collection of whole and half steps... I agree. I find it very frustrating that Western music breaks the twelve notes into two classes: the "naturals" (ABCDEFG), and "accidentals" (A# C# D# F# G#, and enharmonic equivalents). Playing guitar, I have come across people explaining barre chords -- a single fingering for a type of chord (e.g., major, minor) that you can shift up or down the fingerboard -- as "you can play any chord with this: E, F, G, A, etc.", and ignoring almost half of the possible chords. I'm convinced that the naming of notes to simplify playing in the key of C major or the relative A minor has inhibited players from gaining a real understanding of intervals. To wit: when I play piano, I play in C. When I play guitar, I don't think about what key I'm in. I play in whatever fingering is easiest and what sounds best at the time. |
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I know what you mean, but I think that's significantly a keyboard-based hazard. I play the trumpet (mostly; I can do a very little on a few others and trying to improve) and I've frequently ended up jamming away in odd keys, switching between them as required. F# major is a relatively common key for me, I just hear the intervals and the fingers move quite automatically, even though trumpet harmonics are arranged around C major (well, concert Bb). I'm sure it's much the same on other wind instruments.