[Theodores]

The BBC should 'reissue' these paying the rights holders accordingly. Right now musicians are not getting revenue from PRS as no pubs/shops are playing music right now.

Some 'Peel Sessions' got released on 'Strange Fruit' including the seminal 'the orb' epic track "A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld (Loving You)" that was put together by Jimi Cauty, who subsequently left 'the orb' to be one half of The KLF. Hence the Peel session of The Orb and the original pressing of the aforementioned track were the only truly awesome stuff they released.

Incidentally this excellent blogpost of Peel Sessions does not include this particular 1989 classic.

Note that first time round you would wait until Thursday 11 p.m. to tune in to John Peel on FM radio and record the good stuff with a spare cassette. You might record over that cassette a week or two later. Everything could be ordered through an independent record shop if you wanted it for real, expect one of a thousand pressings though.

You would need to remember names of artists and their tracks from the radio, no rewind unless you had that tape running. Discographies didn't exist like now so you never knew if an alias of an artist was the artist you knew already or a new one.

I respect people that piece all of this together today, however, somewhere in the BBC they have this archived and they could sort out the licensing problems the way it works on streaming platforms.

Licensing problems are mostly due to defunct labels and who gets the royalties. For instance, if in 1988 'A Guy Called Gerald' was part of '808 State' on the 'Creed' label, then, in the Peel session, if it get replayed, where does the money go? The other members of the group went to be signed by ZTT leaving A Guy Called Gerald to do his own stuff in a different direction. The Peel session fell in-between albums with tracks from the old and the new. Sorting out the monies is tricky for the BBC to do but YouTube manage monetisation easy enough.

[bagpuss]

regarding your last paragraph, I believe it’s not up to the BBC to get performing rights to each artist, they would pay a fixed fee to PRS and others. Registered or recorded airplay and performance gets attributed to artists and they (or the holders of their publishing) get their performance royalties. Whatever is left over is then divided out amongst the lower ranking artists in the form of a flat fee. If you’re an artist you can use an agent like PPL [1] to collect on your behalf. The above mess is why if your friends are recording a song , you should get performance credits for playing the triangle; could be worth £50 a year...

https://www.ppluk.com/

[PoachedSausage]

>Jimi Cauty, who subsequently left 'the orb' to be one half of The KLF. Hence the Peel session of The Orb and the original pressing of the aforementioned track were the only truly awesome stuff they released.

The Orb can certainly be a bit weird at times but there are some absolute gems lurking in the back catalogue and at least Alex Paterson is still releasing music, what has Cauty done recently?