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by XaspR8d
2290 days ago
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It's not conceptually that different from YUV[1], the color spaces used by PAL television and most JPEG images. I can't speak to the Jaguar, but both of those decisions were motivated by the desire to completely separate the luminance/brightness dimension from the 2 color dimensions. For PAL this was to maintain compatibility with black and white televisions during the slow adoption of color, for JPEG it's a compression trick since the chroma channels can be downscaled more than the grayscale without humans noticing as readily. In any case I'd argue the ability to reason about this space is a bit more natural than RGB (and a bit less than HSV) too. But I'm sure there were some other specific requirements they were trying to satisfy... [1] - https://en.wikipedia.org/wiki/YUV |
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The "CRY" model used by the Jaguar is fairly different than (though as you say, related conceptually in its separation of brightness/darkness information, of course). I think it basically just arose from a combination of big focus on smooth shading while keeping the color values workably small and fast to calculate on.