| Alright. I didn't know about S4C. I agree that moving things around between different budgets can result in what feels like 'cuts' to the BBC although, normally departments don't consider enlargement to be a cut exactly :) I had a bit of a rant on HN the other day about this practice in the UK of describing the public sector as being 'cut' when graphs of their budget are going up and to the right. People do it a lot with the NHS and it distorts the political debate, in my mind, because of course people hear the word "cut" and think the amount of available money is going down when it's actually going up. The loss of the money for the over-75s is a real cut. But so far it hasn't counter-balanced the increase in revenue from general population growth, or at least that's how I interpret the graphs on the page I linked to, which are going up and to the right. Additionally the BBC spends considerably more than it gets in license fee, I assume that's based on commercial revenues as (AFAIK) the BBC doesn't take out loans or get into debt. When those revenues are also considered its expenditure has been growing steadily since 2011. Tony Hall's argument is basically that Amazon/Netflix can outspend them. Well yeah, but Netflix is a temporary phenomenon given their enormous burn rates and the spending of Amazon/Apple is somewhat calibrated towards matching it. I'm not convinced those levels of spending on content will last forever, myself. But also the BBC is allowed to sell its programs internationally, just like Netflix and Amazon do. It generates significant revenues from that as the graphs show. What stops them competing with these firms, exactly? They play in the same league. Part of the justification the BBC gives for its existence is that it does not have to simply duplicate what commercial providers do. It feels like they try to argue both sides of the issue: the license fee is good because it frees them from the need to do populist stuff and lets them focus on worthy but expensive programming like documentaries and news, but it's also bad because it means they can't compete (anymore) with commercial outlets on producing populist dramas. Rather than demand more money, maybe they should consider their focus. Apple/Amazon/Netflix don't attempt to fund worldwide journalism or radio. If the BBC is finding itself faced with better competitors, perhaps it should re-allocate resources towards the stuff it does that's unique. |