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by uncensoredjrk
2318 days ago
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Spending money on decent lights and cameras to then block the view with a GIANT microphone doesn't make sense to me. I've been involved with professional audio for 23 years--if I were doing this, I would use a decent single ear, earset style mic. That would keep the mic out of view, provide excellent sound quality, and keep the audio consistent if you turn your head (away from a fixed mic). It actually drives me nuts when podcasters use the SM7B mic and have their low-end cranked or don't apply a strong enough HPF to compensate for the mic's proximity effect. That's incredibly tiring to my ears--I usually end up reducing the low end via my playback device's EQ. 99% of the pre-amp options don't matter as long as you get a strong, clean signal into a decent ADC stage. Spend your efforts on learning how to properly process the signal chain instead (apply High-pass filter, proper gain, apply dynamic compression, possibly EQ/de-ess, etc.). Sorry for the rant. :) |
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It turns out this is actually hard, when you use inexpensive preamps, typical microphones, and you’re recording voice at home. Getting a strong signal means more gain than onboard preamps in inexpensive interfaces typically provide, which is why you might want to get an outboard preamp or use an inline device like the fethead. Getting a clean signal means learning how to do mic placement, doing some room treatment, etc.
From what I understand, there’s a limit to how much clean gain you can get from a single amplifier stage, and it’s often just not enough. I was very skeptical about getting an outboard preamp but it ended up making a much larger difference than I thought it would.