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by mikorym
2339 days ago
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I think that a lot of the "understanding" part of these kind of films are quirks to do with constraints that the filmmakers had. I would contrast this with Annihilation, which was confusing because it's not properly thought out IMO and with Inception, which was not confusing but did sacrifice artistic expression for mainstream appeal (for example the scenes with a lot of gun fighting). The immediate things about Stalker that bothered me are, in retrospect, solvable with a higher budget or better film support. Of course, some people prefer the authentic aura of such films. Bellflower would be another example of a good idea and story done on a budget of next to nothing. |
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This reminded me of one of my favourite (possibly apocryphal) tidbits about Solaris. People have differing theories about the significance of the very long highway scene, and Tarkovsky had an elaborate explanation for it when the film came out. [1] [2]
At some point he admitted that he and his camera operator mostly really wanted to visit Japan, so he included a suitably long scene to justify visas and a travel budget. I don’t recall where I read that, but it helped me to be comfortable taking my own meaning from a work of art and not worrying too much about discovering the author’s absolute intent.
[1] https://www.quora.com/In-Tarkovsky-s-film-Solaris-what-is-th...
[2] https://viz.dwrl.utexas.edu/old/content/real-world-metropoli...