| I'm not sure whether a covered car can be brutalist, to be honest. When I think of a brutalist car design, I think of go-karts. Other features of brutalist design: * By exposing the skeleton, the object shows itself as a platform that can be built upon. However, the Cybertruck's convex hull and covered, armored plating do not lend themselves to confident self-expression, but instead drown out any attempt at customization. * The purpose of the object is apparent and plain in its construction. The Cybertruck's wheels give away that it is a rolling vehicle of some sort, but otherwise its design does not indicate that it is road-worthy, fast, durable, rideable, etc. * One of the article's main points: The object should, in its humility, elevate a shared societal viewpoint. Quoting from one of the experts in the article: > The truck is consumerist, whereas brutalism’s monumentality is civic. The truck’s boldness serves the bravado of an individual, whereas brutalism’s visual power was meant to project the shared dignity of the public realm. The other quote that is worth repeating: > [But] we don’t see any bolts or gaskets or other details of joinery. Brutalist architects would never allow this. They wanted the method of making and the assembly of parts to be legible — to be put on display as a way of being vividly honest. This was a core principle, and the sleek machined quality of the Cybertruck is ultimately a disqualifying characteristic. |
Buildings that are considered brutalist still have walls and a roof, because you know, a building being covered by a roof and having walls is what creates room and space inside. There'd be no point to building it otherwise. But they don't worry about hiding the ductwork and piping inside because hiding it doesn't add to the functionality of the building.
In the cybertruck, the use of unpainted stainless steel is letting the inherent useful properties of the material shine - that's certainly brutalist. The material being difficult to work with is what created the harsh angles in the silhouette - again, that's brutalist.