[detaro]

As long as the individual event happens seldom enough few of these actually are a big problem. Soft real-time being allowed to blow deadlines doesn't mean it can't be expected to have a very high rate of success (at least that's the definitions I've learned), and clearly a sufficiently low rate of failure is tolerated. There's a vast difference between "there's an audio stutter every day/week/month/..." and "noticeably stuttering audio". The production side is obviously a lot more sensitive about this than playback, but will still run parts e.g. on relatively normal desktop systems because the failure rate is low enough.

[tripzilch]

The production side usually renders the final audio mix off-line, so no real-time requirements there for getting optimum sound quality. I'd say the occasional rare pop or stutter is worse to have during a live performance than when mixing and producing music.