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by krapp 2625 days ago
To be fair, chances are you and your friends are not representative of the mainstream. Just being on Hacker News makes that unlikely.

Michael Crichton is a famous enough author that people are more likely than not to see a movie based on his work because it's a "Michael Crichton movie" and neither know nor care about the source material. To most people, the Beowulf movie is just a fantasy movie where Angelina Jolie plays a sexy demon, not the adaptation of Beowulf they've been waiting for years to see, the way people were waiting to see (or dreading to see) the Lord of the Rings.

Beowulf just isn't that significant or relevant in popular culture - it just isn't. I don't even know why this is controversial.

2 comments

> Beowulf just isn't that significant or relevant in popular culture - it just isn't. I don't even know why this is controversial.

Not everyone slept through their high school English class and failed to notice when characters in movies they were watching were named "Beowulf."

And we're talking about one of the few things that is examined in almost every high school English class.

> we're talking about one of the few things that is examined in almost every high school English class.

I don't think this comes close to being true. Maybe in Britain.

Ancient epics and ancient languages are a primary interest for me, but no school class ever covered Beowulf.

> no school class ever covered Beowulf

How interesting. In that case am I right in guessing that your coverage of the Medieval part of the canon was limited to Chaucer and didn't include anything else? I'm just curious how much things have changed.

Chaucer was covered in a sense, but in History rather than English. The class did not read him, except for one student who chose that as the focus of a class project.

I did have a high school English class covering (among other, non-medieval works) Sir Gawain and the Green Knight, and the story of Tristan and Iseult. Sir Gawain and the Green Knight was read in translation, but Tristan and Iseult was a fairly modern reimagining (set in the original period), with an author's introduction discussing how she chose to omit the magic that was present in the original because she thought it detracted from the agency of the characters.

Edit: found it - it was this one. https://www.amazon.com/dp/0374479828/ . "Tristan and Iseult: an inspired retelling of the legendary love story".

That sounds really good, I don't think I ever read Tristan and Iseult.

I'd have slotted Sir Gawain and the Green Knight in with Beowulf in the "medieval" part of the literary canon but I could be off-base there. I remember reading Beowulf in high school but not the other. That might be a function of which one I found more interesting at the time, I'm not sure.

I agree that Sir Gawain and the Green Knight is "medieval". I meant to say that the English class covering it was not focused on a historical period, covering literature that was much more modern in the same year.

Beowulf is from around the 8th century; I guess that's technically "medieval" but I think of it as belonging to some nameless period that's older than "medieval". There's a huge difference between Old English of the 8th century and Middle English of the 14th.

In terms of story quality, Sutcliffe's Tristan and Iseult was in fact quite good. And it gave me a bit more appreciation for this: https://arthurkingoftimeandspace.com/1020.htm .

Plenty of people studied Chaucer in English class as well, and yet no almost no one in mainstream culture cares about Canterbury Tales.

And yes, more people more or less slept through English class than not.

>Beowulf just isn't that significant or relevant in popular culture - it just isn't. I don't even know why this is controversial.

I dunno, all those superhero films are doing pretty well.