[thegayngler]

I would argue that most musicians should be salaried employees making 80-150k. The label would then handle everything else. The musicians only need to focus on creation and performing. I have always been interested in the problem Spotify is trying to solve for. However, I think they've only solved half the problem. The other half of the problem is solved by putting long tail musicians on a salary and then they can graduate out of that once they achieve a certain level of commercial success.

(Why is this being downvoted?) It is on topic and is not at all hostile.

[kevincennis]

The problem with this is that it requires really successful artists to work for far less than the value they create, which they won't – because they know they could make far more money independently.

And without the top performers subsidizing the salaries of everyone else, the whole thing falls apart.

[thegayngler]

Top performers are already working for far less than the value they create allegedly. Usually, there are a whole host of people working on a project.

Right now you have fake writing and producing credits simply designed to generate a stream of income for the musician. I think going to a salary would allow people who are best at writing or production or something other than singing being able to focus and it brings the cost to produce a record down.

You may or may not be able to make more money independently. You never know when the public is going to move on to some other sounds and you never know the perks that are lost as a result. The top of the top performers probably could swing the independence but for many it may not be the way to go. The bottom line is that for the vast majority of musicians a salary system could be better to work under.

I think everything should be on the table as it relates to how the music business is run and that's what the Spotify CEO said he was interested in. He's just doing from one side instead of both sides of the equation. That's why the vast majority artists and content creators are on the losing end of Streaming.

[rhizome]

This is essentially the pre-Beatles model we saw in Tin Pan Alley and the Brill Building. Carole King's biggest hits were written for like $75/week. It declined as musicians started writing and recording their own songs and being self-contained creative acts, not to mention the, shall we say, "unfair equity strategies" the record labels used. That is, it's all well and good until the bosses take all the big money.

[thegayngler]

That's interesting. I didn't know this but I think this model should be brought back for most cases I think safe guards can be put into place to guard against "unfair equity strategies".

[rhizome]

It was the dominant musicwriting business model from the sheet-music era until about 1962.