Fair point. I think Captain Disillusion is a good example of this, his production value is extremely high with regards to visual effects for what is a fairly niche subject matter.
Captain Disillusion is nowhere near the quality of a Netflix show. I love the guy and support him on Patreon, but at the end of the day, it’s a garage version of myth busters. It still has that “youtuby” feel of a guy doing a thing in his spare time.
The budget is incredibly low; look at his Patreon. Compare this to the millions of dollars that go into a film considered “low budget”.
If CD is YouTube’s high quality content, then that is exactly the point GP was making.
The budget is incredibly low; look at his Patreon. Compare this to the millions of dollars that go into a film considered “low budget”.
If CD is YouTube’s high quality content, then that is exactly the point GP was making.