I don't think most tech companies actually want a completely custom, radically new typeface. They want a designer to trace Helvetica so they don't have to pay licensing fees.
The article contains an image [1] showing several tech-company-funded fonts side-by-side.
The fonts have some differences, but I'd have to agree with you the changes are so subtle it's hard to believe they resulted from an attempt to make a _radically_ new typeface.
I'm curious if there are any lawsuits based on basically tracing & duplicating fonts? Does adding the slightest accent to the letter "a" allow you to trace the other 99%.
Also many of these look like they just adjusted the weight ever so slightly. With variable fonts, I'm curious how this come into play when considering copyrights.
Note that although the design of the typeface is not copyrightable, the computer programs which generate typefaces (‘fonts’) contain elements which are:
The shapes of the letters themselves aren't copyrightable in the US, so that if you vector-traced them perfectly, using your own "control points", you could distribute – and in fact, would hold copyright in – the resulting font file.
When discussing copyright "font" doesn't refer to the shapes of the letters (which comprise a "typeface") but the programmatic implementation of that typeface, which has been held to involve independent creativity. So if you take an existing vector font file, and alter the control points, you've created a derived work.
The situation is different in many other countries, which do allow for a copyright in a typeface. Generally the term of copyright is much less for a typeface than for many other works.
That image is a bit misleading. Those fonts all have a very different feel in the UI.
For example, I never really liked when Apple switched from Lucida Grande as the main UI Font to Helvetica, and I was very relieved when they replaced Helvetica with San Francisco.
I think San Francisco is a decent UI font -- it's much better than Helvetica. I don't particularly like it, but at least it doesn't annoy me.
The differences are subtle. If you show me short strings I probably wouldn't know them apart, but changing the font for the whole UI has a big effect.
Short examples aren't indicative of how fonts look in longer text or even in different short lines (headings and such). It's a persistent problem when evaluating fonts on font sites: e.g. I can't try a longer text on Google Fonts.
I'd say Netflix Sans goes for the Circular look, Cereal tries to be a Proxima Nova, San Francisco is cross between Roboto and DIN and Roboto itself is a modern Univers.
Apple also has Menlo which is designed for Terminal-type CLI usage, looks a lot like Monaco which they used before that, dating back to the classic OS. Both have elements from Courier which (to me) has a slightly more sensible set of ascenders.
Wow, I didn't even realise Helvetica needed a licence. Nor that its pay per click:
"When purchasing your digital ad license, you specify the number of impressions your campaign will require. If you’re uncertain how many impressions you will need, you can purchase a small allotment and true up at the end of the month."
This year I happen to work for a client that licenses all of their brand fonts. Licensed and pay-per-use fonts have easily and quickly worked their way up to the top 5 most agitating things to work with.
- They track use by embedding a link to the third party font provider, which does a 302 redirect to a file on your server that requires revalidation every load. So while you host the actual file delivered to the client, you can't optimize away the time added by that needless redirect on every single pageload[1].
- On some clients, invalidating that original link will also invalidate the cache for the destination of the 302 redirect, so the user is forced to truly redownload the font each pageload.
- Automated bot traffic, whether benign, malicious, search engines, or anything at all, becomes very expensive. A flood of scrapers hitting your site shifts from a minor nuisance to a very big deal. Something that your infrastructure can absorb without a hiccup can easily rack up hundreds of thousands of dollars worth of font usage costs. You can put security measures in place to prevent some of this, but at the risk of adding friction to legitimate traffic. And don't wan't to stop legitimate bots like social media crawlers and search engines. So you can either leave the risk open ended or "fail open" where, rather than blocking a visit, you selectively decide when to include the custom font and when not to. Cloudflare's SSE[2] comes in handy for this, combined with dynamic inclusion in the server side code to exclude it from being served to legitimate bots like Googlebot which don't need the custom font. I've also experimented recently with using Cloudflare Workers for handling that process and abstracting it completely from the original site. While Cloudflare Workers also have variable pricing based on usage, it's over an order of magnitude cheaper than the usage-based pricing of the font itself, and well worth the cost.
- Maintaining that added complexity, purely to cap the risk of the pay-per-view pricing model of the font, adds a needless amount of friction to the website management and development process.
[1] https://www.smugmug.com/ is a site that shows this workflow. They load a font file from cloud.typography.com which 302 redirects to the real font file hosted on Smugmug's CDN. While the response is usually fairly quick, I've seen inconsistent response times from the third party providers. And the fact that in some scenarios the must-revalidate flag from the 302 response causes the cache setting from the destination font file to be ignored as well, making it get downloaded every single pageview.
> They track use by embedding a link to the third party font provider, which does a 302 redirect to a file on your server that requires revalidation every load.
GDPR, here we come!
> Automated bot traffic, whether benign, malicious, search engines, or anything at all, becomes very expensive. A flood of scrapers hitting your site shifts from a minor nuisance to a very big deal.
As they used to say on the chans: "Oh, exploitable!"
This would be a wonderful way to financially DDoS some organization you just don't like very much.
I wish I had that card to play! For that specific provider in the example, their ToS explicitly says that, other than your login credentials, they're allowed to do and distribute any and everything they want with any data they collect from the usage of their service[1]. I'd be really curious to see exactly what usage is hiding behind that clause.
> This would be a wonderful way to financially DDoS some organization you just don't like very much.
Right?! It was mind boggling to learn how easily abused of a system it is. Their ToS even states that it's your problem, not theirs, and any call whatsoever to the "CSS key" (the nonexistent font file on their server that redirects to the real file on your server) is and will be charged as a view. You don't even need to hit the site it's embedded in - just hook up to TOR tunnel and throw a curl command to the "CSS Key" URL into an endless loop. And for optional flourish, add fake user-agent, origin, and referrer headers to the curl command. Let it run for a couple hours every week. Since you didn't hit their site, their site analytics never triggered, and they won't know what hit 'em until months later when it reaches a level that warrants finance asking why you blew so far past your budget.
An unexpected and unexpectedly gratifying compliment. Thank you!
I managed the digital analytics for that particular client, and an overly aggressive WAF[1] was in place to block scraping attempts because they'd been burned by font fees in the past. The WAF's browser challenge was poorly designed and as a side effect it destroyed all referral (and therefore channel attribution) data.
I had to work my way through a lot of layers within a Fortune 500 company, from my marketing client to their global infrastructure team, to get buy in to test out (and eventually switch) to Cloudflare as a much more robust solution to their font concerns[2]. Which also just so happened to correct the referral/channel attribution issue I was seeing[3]. Along the way I picked up a pretty comprehensive understanding of licensed fonts, as I had to use completely different approaches for each department and set of red tape I needed to cut through. Marketing, media buying, procurement, IT all have different ways you have to frame the risks and opportunities, even if they're all the same thing said different ways.
[2] The font issue was irrelevant to me. But my referral data was irrelevant to IT, and they put the WAF causing my problems in place due to the font issue. So I able to get procurement and IT's blessing by enticing them with the additional cost savings and protection from the Cloudflare-based solution.
[3] I was only able to get to procurement and IT in the first place by having the backing of marketing and media buying, who cared not at all about fonts but greatly about website performance, conversion attribution, and being able to analyze visitors by traffic source.
I think there are plenty of good looking open source fonts, but there aren't that many super solid ones.
Glyph wise, I would love to have both tabular and proportional numbers. I also want great hinting so it looks good on Windows devices. I also prefer something that isn't strongly tied to another brand like Roboto is to Android.
Once you take those into account, there isn't actually a ton of options left. And if you want something that compares to the quality you get Hoefler & Co, you end up with close to zero.
Nimbus Sans was designed to be a complete lookalike for Helvetica. I'm not sure how they got away with it, except that the IP laws protecting fonts are rather weak.
Noto. It feels like having access to an entire professional foundry as a FOSS download.
Though the sans is humanist and not neo-grotesk like Helvetica.
Hell, Noto Sans is available in more weights than Helvetica Neue LT Pro. I've actually found myself wishing that Helvetica Neue LT Pro had a real demi instead of jumping from medium to bold. Noto solves that problem.
Substitute free to use and the statement still hold. I'm actually in favor of sites not specifying any fonts at all - only things like size, bold, italic. Let the user set a font preference in their web browser to something the find easy to read. No designer can say what is pleasing to everyone and never will. This whole thing is really just self gratification for designers.
That’s fine. It’s just a tick in Firefox to do so. Yesterday I made a readme intended for some Windows friends. Just a simple single html page. I set it to “Segoe UI”,sans-serif so it looks more like a Windows manual. If someone opens it on a mobile device or a Mac somehow, then it still looks fine. It mostly just avoids people seeing Times New Roman or Arial, which I don’t need A/B testing for to know is not as nice to look at or doesn’t look very Windows like.
Unless you use Chrome, you can also go to the reader mode to avoid all the CSS. Plenty of options for you!
I suspect most want something unique for their brand identity. But as always people don't know what they want until they see it, making it very hard to make something interesting that will go through all layers of approval.
Tiny customizations yield a unique outcome that can become more brand affiliated.
But if they do just want to avoid licensing..and? If it's less expensive to go through the design and construction and acceptance and branding, then the typeface is probably a tad overpriced. A grotesque sans-serif is a grotesque sans-serif, not a rip off of Helvetica. It doesn't own that entire concept.
While I find this piece interesting and informative, it seems biased in what it considers a useful outcome and what it doesn't. YouTube cutting off "random" pieces, for instance, yields a playful and unique typeface.
The fonts have some differences, but I'd have to agree with you the changes are so subtle it's hard to believe they resulted from an attempt to make a _radically_ new typeface.
[1] https://www.arun.is/blog/custom-typefaces/unique_typefaces_m...