[Bartweiss]

This is a really interesting point.

I think there's some truth to the claim that Family Guy cut in on the "cartoon family relationships" and "cartoon family slapstick" markets, but I'd never quite grasped why the attempt to branch out failed so badly. Now that you point it out, Family Guy even did politics and current events (or at least picked at South Park's scraps), but it never really went in for the sort of quieter, knowing satire you see in The Onion.

That was something the Simpsons had gotten huge acclaim for (e.g. "Marge Vs The Monorail", "Last Exit to Springfield"), so it was an obvious place to look for a niche. But that's also really hard to maintain. The Onion itself has always had a lot of mediocre content, but that doesn't need to animate it's content and doesn't ask you to stare at one bit for 30 minutes straight. Heck, SNL has one of the best comedy writing teams anywhere and it has some seriously weak moments that need to be offset with celebrity guests, music, and rapid sketch changes.

The other thing that strikes me is that the near-realism of the Simpsons constrains the satire. Futurama's take on the 'eyePod' was hilarious, but the reason it worked so much better than the 'myPod' was that the sci-fi setting let them take the topic ludicrously far. "You Only Move Twice" (the supervillain Simpson's episode) was excellent and arguably satire, but it was also at the upper edge of how wacky the Simpson's universe ever gets. By Season Eight or so, it feels like The Simpsons had done a first-rate episode on almost every piece of small-town and nuclear-family life worth parodying, and couldn't break out of their constrained focus or their realistic setting far enough to find new fertile ground. Meanwhile, Futurama got to play around with Nixon and Mom's Friendly Robots and alien invaders and anything else that came to mind - plus with no one else in the sci-fi cartoon space they could save the satire for when they had something excellent to do.

[stupidbird]

Exactly! The 'eyePod' comparison is really good. I haven't thought of that before but it's spot on.

Ultimately, yeah, they probably ran out of possible new material (they even joked about doing the same themes across multiple episodes within episodes).

I think it would have been better off cancelled once Season 10 rolled around.

They could be doing the show they do now with different characters entirely, and they'd probably have a more accurate sense of quality that's not clouded with nostalgia.

It's no surprise that FOX doesn't understand going out on a high note though. I admittedly probably hung around until season 20 just because of the previous 10 seasons of goodwill.