| The Bible and the Koran would easily be on the world's best seller lists if they weren't excluded by default. You might argue - and I would agree - that this is not necessarily a good thing as far as content goes. But the point is that putting something into writing snd giving it a tangible form on paper gives it an inherent stability and authority missing from digital media. We tend of think of digital media as temporary, disposable, relatively low value simulacra of a Real Thing. Digital media can be hacked, edited, deleted, and lost when the power goes off. A copy of a book from hundreds or thousands of years ago is just going to sit there for some indefinite period. (Which actually depends on the quality of the paper - but in theory could be centuries.) This is not about practical reproduction and storage technologies, it's about persistence and tangibility. A book is a tangible object which has some independence from its surroundings. After printing, it's going to exist unless you destroy it. If you print many copies the contents are geographically distributed and it becomes very hard to destroy them all. A file depends on complex infrastructure. If the power goes down, it's gone. If the file format becomes obsolete, it's gone. (This has actually happened to many video and audio formats.) If there's an EMP event, it's gone. And it's not just a tangible difference, but a cultural. We have a fundamentally different relationship with digital data than we do with tangible objects, and this influences the value we place on their cultural payload. |
Any examples of video or audio files that are currently impossible to watch/listen to because knowledge of the file format, and all software capable of playing it was lost? If such a thing has happened, there are probably people interested in reverse engineering the format.