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It's not really an excuse - it truly is convenient in such a way that you only have to go to one place to get the thing you want. If I want Man in the High Castle, I have to pay for Amazon. But if I want Ozark, I need to pay for Netflix. If I want to watch Metropolis, or The Raven, or The Maltese Falcon, they're old and not any streaming service, even if the rights are owned by a studio. Where can I find them? Yup, bittorrent. At least piracy more-or-less forced most music to be centralised onto a single service, i.e. in many cases you can get the same songs on Spotify and Apple music. It's a shame piracy didn't force Hollywood studios to sort their out, and allow you to just go to one or two sites. Just look at what Disney are trying to do. You are of course right: "it wasn’t an insurmountable problem after all" - it's just that studios and publishers squabble. But I'm not holding my breath on Elsevier, MacGrawHill, AddisonWesley, OUP, SUP, etc. to come up with a commerical SciHub. |