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by joeyaiello 2981 days ago
Only just getting started reading this, but I had to jump into comments to give a shout-out on how amazing 924 Gilman was for me as a kid growing up in the East Bay. I wasn't there for the glory days of the 80s/90s, and I have no idea to what extent Dan played a role in its founding, but as a space for playing and watching music, I've never found a venue in my life that comes even close to what they were able to achieve. We actually had a great scene in the East Bay, with a decent number of spots for young, local punk/hardcore/metal bands to play. But as a teenager, it was frustrating when an overzealous security guard would go off on a 15 year old kid for moshing, or when a skating rink would flip the lights on and kill the power an hour and a half before the bands had agreed earlier.

924 Gilman had none of that. I remember the first time I saw this sign[1] and then realizing that there were no security guards to enforce those rules. And yet, the punk ethos was strong enough that folks were just generally good to each other.

Or the graffiti all over the walls with a graffiti code of conduct posted every so often: don't tag over color with black and white, don't put doodles over real art, that sort of thing. Sure, it wasn't 100% followed, but people really respected it for the most part.

Or the 25 cent bottles of water and cans of soda. No profit, just kids handing out there zines and making sure no one goes thirsty.

Anyway, I'm going to go finish the article now, but if this guy got 924 Gilman, and wants to take that ethos into the internet, I couldn't be more supportive. Godspeed.

[1]: https://www.flickr.com/photos/61992100@N03/23226226149/in/al...

1 comments

Gilman was a huge part of my life and I played various roles in participating and helping to manage it over the year, though I don't want to take ANY credit for this, it's not my place and no person should. But, the experience I had there showed me what is possible when things are started with good intentions and managed that way going forward. There were and are rocky times at Gilman, but overall it's a model that should be studied.

Also, we made and shared a lot of great music with the world, which is the real upside of gilman. I miss that time in my life.

Oh yeah, it certainly wasn't perfect, but the good far outweighed the bad IMO. Also, I'm now realizing there are probably a lot of parallels in building those sorts of communities with the Eternal September problem: getting too big and people betraying the ethics. It'd be a fun historical analogy to explore...

> I miss that time in my life.

Me too. I'm still in my 20s, but given that I now have a lot more means working in the tech world than I had when I was a teenager, I've been thinking a lot about how I might be able to help foster communities like that for younger generations (opening a venue, starting a small label, patronizing high school bands that want to record, etc.) Curious if you've thought about the same?

EDIT: Holy crap, just realized you're the subject of the article. Definitely didn't mean to imply you didn't play a role, FYI, but I imagine you played a large part given your humility on the matter. ;) Keep up the good fight, man. We're rooting for you.