| I have to say I'm very surprised at how few people here seem to have liked the book. Going by my experience, I would have expected that HN readers would have thoroughly enjoyed it. I first read it about 25 years ago, and while I didn't understand much of its philosophical arguments, I remember the experience as a sheer delight. Since then, i've read it at least twice more, and enjoyed it every time ( and understood it better): - It's the best explanation by far (for a non-mathematical reader) of Godel's theorem and its philosophical implications. - It's a theory about what is consciousness and how it arises, but unlike most such discussions, genuinely interesting and even playful. - It's an argument for what is called 'strong AI'. Given the author's view of consciousness, he makes a strong argument for why he believes conscious computer programs are possible. - It's a great introduction (again for the math-challenged) to formal systems, mathematical proofs, and what was called the Entschiedungsproblem (who can resist finding out what a word like that means?) :-) - It's tantalizing glimpses of the world of western classical music and painting and some interesting parallels he draws between them and his theory of consciousness. - It's a set of delightful dialogs (in the style of Lewis Carroll) about all the above. For me, it was one of my formative experiences, and the one thing I got from it at the time was that there was more to computers than writing Pascal programs. It helped that I came to this book as the proverbial tabula rasa, knowing nothing about classical music, painting, formal systems or philosophy for that matter, but I really think most people here, even those who know a lot about these things, will enjoy and learn from it. |