[crdb]

Try post-stroke Stephen Kovacevich. He was already a maverick before, the loss of much of his physical ability forced him to review his approach and the result has, at least, forced me to reconsider my view of many pieces I thought I had done and dusted (e.g. Brahms 4th Ballade). Hearing him live was both terrifying and awakening. His Beethoven cycle is unique and changing over time.

I also think that if you can abstract from the visual, Yuja Wang's playing has a ferocity and hunger for life that reminds me of the Russian School at its peak without the tragedy, and the technique to back it. I've not heard it in anybody else of her generation. It is a bit of a shame that her repertoire choices are so conservative, but to be expected given how she is marketed; I am very keen to hear what she will sound like in 40 years.

Stephen Hough has a sensitivity and big picture awareness rare since the death of Richter. Sitting in a 4 hour masterclass on Franck, I learnt a dozen new things, almost as if new dimensions unfolded about the art (I got the same impression from reading Neuhaus' book - ideas clicked into place seeming so obvious ex post, unreachable ex ante).

Finally Zhu Xiao-Mei has had an incredibly full life (from risking her life smuggling a piano and sheet music into Mao's reeducation camps and playing that piano in a meat freezer, to cleaning houses in LA before becoming a Parisian ghost wonder after accidentally playing a friend's piano and getting standing ovations in German concert halls that had greeted her with audible disdain) and it comes through in her playing. As a bonus you can "rediscover" a fair amount of Schumann this way.

[brooklyn_ashey]

I will check these folks out! Thank you.