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by kasey_junk
3254 days ago
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The library landscape is surprisingly varied in the United States. Big systems such as New York, Chicago and Los Angelos exert a huge amount of control on the "middle men" that service them (and a 40% discount is where all systems start and always have). This is of course not surprising. Like all parts of the book industry the ecosystem surrounding libraries is changing very fast. The digital media side is not as clear as you are making it out to be. Publishers do not in fact set the pricing and availability, because the publishers don't particularly want to be in the business of servicing libraries (just like they don't want to be in the business of library binding and cataloging) so they have to allow third parties the ability to do some negotiations. In many ways its just like physical books (the cost of physical books is largely not the act of creating the physical copy). The difference is that the classic rift between desires of libraries and publishers is more stark with electronic books. Libraries want to provide access as cheaply as possible usually as a governmental agency and publishers want to have a profitable business. That doesn't even begin to talk about the existential crisis libraries are going through. Its a fairly interesting thing to watch as an outside observer. I don't work in this space but my wife does and I've had drinks with enough publishers, jobbers and librarians to see it as fascinating |
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The vast majority of libraries are not NYPL, LAPL, King County PL, etc. Most are medium to small and servicing almost every town in the United States. They are arranged in a dizzying array of geographic, bureaucratic and budgetary configurations. I once worked with a library that was a unified system with shelf level access to items, but every municipality funded its own local branch, so money went into a central system and had to be accounted for when purchasing items. They handled 15 different budgets. It was staggering.
This make negotiation impossible. We rely on vendors like Overdrive, Baker and Taylor, Midwest Tape, Recorded Books, etc, to provide access to digital materials. And though there are sales, digital materials are unquestionably more expensive. I work in a system with a service population of about 500,000 (it's a statewide consortia of local libraries), and hold lists can run into the 100s for a popular title. If the title is from Penguin Random House, it will likely cost more than $50 per copy, leading to thousands of dollars just to keep hold times down to a few months. If the publisher is Harper Collins or Simon and Schuster the price will be more reasonable, but we lose copies as we check them out. For example, say we buy 15 copies that have 52 checkouts each. As soon as we've checked those 15 copies out 52 times, we're down to 14 copies. It is very challenging and if we exerted influence, it would not be like this. And our that our most popular device, the Kindle, is controlled by a vendor that is fanatical about its control over the service and was dragged kicking and screaming into working with libraries.
But physical materials still remain our most popular items. E-book sales have stagnated at around 35% (not including Amazon's nebulous self-publishing numbers) and we've seen the same in libraries. That makes it difficult to shift staff. As a colleague of mine once said, "In government I can't lay everyone off and rehire people with the right skills". Over time it will work out, but in the short term the budgetary challenges are limiting access.
All that said, we are healthy. The library as a physical space and American institution will be OK because people have a strong attachment to the idea and the use case.