|
|
|
|
|
by humanrebar
3318 days ago
|
|
> ...western media has no concept of how to do a proper narrative about identity... I must be misunderstanding your complaint, because it seems that everyone's favorite metaplot is about identity these days. Off the top of my head: - Frozen: choosing own future and identity over what was given you - Dark Knight: projecting an inaccurate identity to protect people - Zootopia: overcoming prejudice by breaking glass ceilings - The Crown: how to manage contradictory identities (head of church, head of state), overcoming prejudice Especially on the nose: - Westworld: I don't want to get into too many plot details, but there are absolutely questions of identity, both for humans and for artificially intelligent machines. |
|
But that's not what GitS is about.
I'm referring to a more philosophical approach, even an abstract one. GitS specifically is looks at identity as a malleable thing. To a "western audience", in the original film, The Major is no longer The Major at the end. Or at least, they'd be reassured by her familiar voice and reassure themselves that it really is still her and they haven't lost their protagonist. "Well, she sounds the same and seems to act the same, must be the same person."
This is again a very surface look at identity. I'm not saying this is bad subject material or even wrong, but it gets very old when every movie throws in you face how deep and interesting they are because they're about "identity" when really they're just about "stuff people do in situations" or applying a rigid concept of identity to some character's struggles.