|
Escape from reality is not limited to culture, race, economic background, or a society's technological advancement; it has always been a part of the human condition. In modern times, a unique form of escape presents itself with great force in affluent societies, even though the "escape artist" him/her-self need not live in an affluent environment. The escape artist requires these basics: (1) shelter, however primitive, (2) a food source, and (3) either a television (TV), video games (VG), or internet connection (IC). TV/VG/IC is the escape mechanism, and the escape artist, whether he/she stays in the 4 walls of his/her room or occasionally ventures out, lives in the confines of his/her escape world. Perhaps we can consider aspects of "Hikikomori" as a uniquely Japanese manifestation of this condition, mingling itself in fascinating fashion with Japanese cultural nuances. Thought experiments:
Would Boo Radley have been a hikikomori if he lived in Kyoto rather than Maycomb, Alabama? What are the differences and similarities between: (1) a hikikomori living in Kyoto, (2) a person living in inner city Detroit, MI, living from welfare check to welfare check and watching TV 16 hours a day, and (3) a college dropout living with his parents in suburbia and watching TV 16 hours a day? In what ways is a hikikomori who programs different than the TV/VG/IC escape artist? Would Boo Radley have saved Jem and Scout Finch in "To Kill a Mockingbird" if he had been playing video games 16 hours a day? Find two studies whose authors claim watching television: develops a sense of wonder, encourages critical thought, benefits interpersonal relationship skills, solidifies familial bonds, promotes physical well-being, reduces the objectivization of persons, cures depression, increases patience and self-control, reduces sense of entitlement, grows positive self-worth, and decreases worry, sense of isolation, and self-pity. Next, find studies coming to the opposite conclusion. |