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This comment is less helpful than the one you replied to. @Simpliplant has a good point, people expect digital paint tools to save, but also made a blanket unqualified statement about creating anything without saving. @kgwxd replied that some people don't want to save, the blanket statement doesn't apply to everyone. And that's absolutely true. This is a valid, though somewhat tangential, point of view about performance art. There is a long history of artists using art tools that don't have save or undo. Traditional arts are still founded on this concept, the art world still largely values techniques that involve the risk of screwing it up, and are hard to copy. That's changing over time, digital arts are growing up, but the majority opinion in the art world is still that tools with undo and tools that can replicate without loss are for unserious artists. Music is the same way, it's a performance art, and digital sequencing and digital performance have often been considered inferior. Robert Moog, one of the most famous creators of analog & digital synthesizers, even wanted to make his synth a performance instrument, and didn't like the idea of using a sequencer. Sound patches couldn't be saved either, and many famous musicians had enormous careers using Moogs. |