And one from my favourite composer, Claude Debussy, the first in his pair of Arabesques: https://www.youtube.com/watch?v=9Fle2CP8gR0 . The Arabesque is really nice: it starts off synchronised and then transitions to a really beautiful syncopated flowing section.
And although this has nothing to do with syncopation or off-beat rhythms, I highly recommend this video from Valentina Lisitsa (one of the most technically brilliant pianists alive, IMHO) playing a Beethoven Sonata with a GoPro strapped to her chest: https://www.youtube.com/watch?v=q0m2RW4m8xE
Although you might want to avoid that last one if you're prone to motion sickness :)
I didn't felt a lot for Lisitsa interpretation. Debussy Arabesque n°2 has bits that I like a lot, too short though. Chopin's piece is nice for the momentum but .. I'm more in love with the Prelude 20. Do you know other piece of him with similar harmonic brilliance ?
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Listening to classic music like this is relaxing, I currently listen to things like:
- https://www.youtube.com/watch?v=U3s3dne0d8Q (this is the piece that made me think I should start listening to classical music more openly. I used to be in jazzfusion, but the piano introduction felt mostly classical in tone and quite beautiful. The rest isn't bad either, strings, bass, guitar... a very nice crescendo)
Talking about off beat syncopation, not sure if that's what you mean, I think of this kind of rhythm (warning not classical music):
I consider the dude who created this album a genius, his pianistic style is messy, lightweight, with diagonal solos (see next song finale) toying with the bar in all directions.
Hey thanks for the links. I'll probably take a little while to go through these; it often takes me a few listens to 'get' a piece of music (regardless of genre). I don't know if anyone else gets this, but I find after listening to an album a few times through, pieces that I initially didn't like sometimes end up being my favourites.
I get what you're saying about Lisitsa; if I has to make one criticism, it's that she can play a little 'mechanically' at times. This is often the case with talented 'technicians'. Well, with the exception of Horowitz, who was some sort of freakishly talented mutant, with his crazy 'flat-fingered' technique and heavily modified Steinway (that most people find unplayable). Although, given the level of her technical talent, Lisitsa is not so bad in this regard. If you really want to see a concert pianist with no feel for what he is playing, take a look at some of Lang Lang's performances. I suppose a lot of people must like him, given his success, but he just isn't for me.
As for nice harmonies, I'm a little unsure what to recommend. I only did a little formal study of music theory (mostly forgotten), so am not the greatest theorist... Maybe try Liszt's third 'Liebestraum' (which has an interesting, and bloody difficult, 'three hands' technique where both hands contribute to a 'middle melody' in sections of the piece): https://www.youtube.com/watch?v=KpOtuoHL45Y . Also, a famous Chopin Ballade that you've probably heard before: https://www.youtube.com/watch?v=Ce8p0VcTbuA
As for the term 'syncopation', I think it has fairly broad meaning. The kind I was referring to is when the timing/tempo of one clef doesn't neatly divide into (or 'match up' with) the other. For example, see page 2, line 3 here: http://www.mediaphorie.com/pdf/PSU_Demo_En.pdf
And one from my favourite composer, Claude Debussy, the first in his pair of Arabesques: https://www.youtube.com/watch?v=9Fle2CP8gR0 . The Arabesque is really nice: it starts off synchronised and then transitions to a really beautiful syncopated flowing section.
And although this has nothing to do with syncopation or off-beat rhythms, I highly recommend this video from Valentina Lisitsa (one of the most technically brilliant pianists alive, IMHO) playing a Beethoven Sonata with a GoPro strapped to her chest: https://www.youtube.com/watch?v=q0m2RW4m8xE
Although you might want to avoid that last one if you're prone to motion sickness :)