| > The workaround is to buy a Kubota or a Lamborghini or another equally suitable brand without the knee capping. Is this not a reasonable market-forces-problem-solving perspective? Why is it a problem at all then? Doesn't this option to buy a different product exist currently? > Also, just to belabor the point, once a person purchases the John Deere under First Sale Doctrine they are completely entitled to replacing the computer with a third-party controller. Thus, that's Fair Use of the vehicle one purchased. Legally, in this context, John Deere can not claim that DRM was circumvented because the rights were terminated upon sale of the physical item. Well, there is actually a huge pile of problems buried here. Namely, the pile of problems that proponents of DRM tend to not understand. Or to not even be aware of. Are you saying that only replacing the computer would be allowed? Is it crucial that the computer is swapped out? Or is the computer also part of the machine that you own, so you should also be allowed to modify the computer itself however you like? I'd like to understand where you think the line should be drawn between what pieces of the physical thing that you buy that you are allowed to modify as you like, and which pieces are off limits, if any? Also, it would be helpful if you could give some short indication of what you know about the inner workings of computers and software, so I don't end up explaining stuff to you way above or way below your level. Do you know some assembly? Digital circuitry basics? Theoretical computer science/halting problem? Complexity theory basics? Cryptography? |
Honestly I don't care for your thinking that you're going to explain anything to me, because it's obvious that my attempts to explain artistic creator perspectives are follies.
So, in turn, it'd be helpful if you could give a short indication of what your creative experience is to set a parity of baseline: Have you published a creative work? What instruments do you play? How good are you at drawing? Have you ever been on a film set, professional or otherwise? How have you distributed your creations? How much have you made from them?